This collection of essays presents an aesthetics of existence called the 'Will to Art'. Readers will be invited to consider the possibility that the universe is fundamentally an aesthetic phenomenon, understood as a process of creative evolution that is moving, albeit agonistically, towards ever-increasing opportunities for artistic expression and aesthetic experience. Art is defined broadly and openly as the meaningful and pleasurable expression of creative labour, and human experience can be considered 'aesthetic' if it flows from the sensuous engagement with art or nature. To speak of the Will to Art is to interpret the world as having an underlying tendency toward artistic and aesthetic flourishing, even though the outcome of this evolutionary process, due to its indeterminate nature, is unknowable in advance.
Two premises guide the development of this vision: first, that material sufficiency is all that is needed for human beings to live rich, meaningful, and artful lives; and second, that material sufficiency is all that is possible, over the long term, on a finite planet in an age of environmental limits. Based on those premises, Samuel Alexander proposes and defends a conception of ecological civilisation which he calls SMPLCTY. This is not a utopian prediction about what is a likely future for our species. Rather, it is an orienting vision, one in which individuals and communities thrive in humble conditions of material sufficiency but cultural richness, meaningfully engaged in pleasurable and creative labour in collaboration with others.
According to this vision, life itself would become an aesthetic project, a never-ending process of creative activity, sensuous experience, aesthetic engagement, and spiritual exploration. Such a society would be structured with the aim of sustainably providing opportunities for all people to find meaning and pleasure through creative labour and aesthetic experience.
CONTENTS
Preface: The Apocalyptic Sublime
BOOK ONE – THE WILL TO ART
Introduction: The Aesthetic Dimension
The Cosmos as a ‘Readymade’: Dignifying the
Aesthetic Universe
Creative Evolution and the Will to Art
Pessimism without Despair: Suffering, Desire, and
the Affirmation of Life
An Aesthetic Justification of Existence: The Redemptive
Function of Art
Camus on Art and Revolt: Overcoming Nihilism in
an Absurd Universe
Rescuing Aestheticism from the Dandies: Critical Distinctions
Homo Aestheticus, the Artful Species: An Evolutionary
Perspective
Giving Birth to Oneself: Ethics as an ‘Aesthetics of Existence’
The Politics of Beauty: Schiller on Freedom and
Aesthetic Education
BOOK TWO – THE POLITICAL ECONOMY OF ART
Bad Faith and the Fear of Freedom: Can Art Shake Us Awake?
Banish the Poets! The Power and Politics of Aesthetic Education
Making Art While the World Weeps: Political Reflections
on Aesthetics
Art Against Empire: Marcuse on the Aesthetics of Revolt
Answering Estragon: Art, Godot, and Utopia
Industrial Aesthetics: A Critique of Taste
Artful Descent: A Cosmodicy of SMPLCTY
Poet-Farmer: A Thoreauvian Aesthetics of Sufficiency
Democratising the Poet: William Morris and the Art
of Everyday Life
BOOK THREE – THE AESTHETIC STATE
The Aesthetic State: Toward an Ecological Democracy
of Art (forthcoming)
Conclusion: Revisiting The Glass Bead Game (forthcoming)